‘Wolfgang’s Magical Musical Circus’, by Circa

Review from: Barbican Centre, London; 20th December 2018, 11am

‘Wolfgang’s Magical Musical Circus’ by Circa IMAGE: Dylan Evans

Circa might be best known in the UK for their sophisticated grown-up circus but, this year, the legendary Aussie company has brought one of their dedicated children’s shows over to our shores. To be honest, I wasn’t sure if they’d pull it off. Turns out, though, they can also turn their hand to entertaining tiny tots. This circus-fueled birthday party is not only magical and musical, but comical and charismatic too, filled with some top-class acrobatic mischief.  The adaptation of the show’s title from the rather more staid ‘Wolfgang‘, used at Edinburgh Fringe earlier this year, gives a much better sense of what audiences are in for.

Paul O’Keeffe and Gareth Chin in ‘Wolfgang’s Magical Musical Circus’ IMAGE: Dylan Evans

A woman is alone in her black and white house, hoping someone will come and share her monochrome birthday celebrations. Luckily, someone has given her a magical gift. When the music of Mozart starts playing, it conjures the vibrant composer to life and the famous prodigy comes bounding out of the refrigerator, followed by his own accordion playing accompanist. The maestro’s eccentric energy and enthusiastic curiosity are contagious, transforming the room and the birthday girl’s spirits.

Kathryn O’Keeffe in ‘Wolfgang’s Magical Musical Circus’ IMAGE: Dylan Evans

Kathryn O’Keeffe progresses from clipped, staccato precision to ebullient expansion as Wolfgang (Paul O’Keeffe) draws her through a flurry of creative play. He creates games of light and shadows, then twists and twirls papers patterned with musical notes, which stick to his body through the force of his acrobatic gestures. Her feet are given special powers that allow her to dance en pointe, and she bases the whimsical composer in well-matched partner acrobatics that emphasise his fantasy form – he springs to her shoulders and across her back and she smiles with an ease that suggests he weighs nothing. As she really gets into the swing of things, she finds new ways to balance on top of and across a chair using only her hands.

‘Wolfgang’s Magical Musical Circus’ by Circa IMAGE: Dylan Evans

Not a single movement is unconsidered. Even musician Gareth Chin, who remains in the background for most of the show, is fully engaged with every moment, reacting to the madcap composer’s whims, adding live sound to recorded tracks or taking on the role of entire orchestra. His incongruous golden cherub onesie costume raises a smile all on its own.

And, of course, there’s plenty of room for some classical music-stand clowning, superbly executed, as well as funny business with applause and some spotlight-football. When Wolfie tries to conduct one of his classic arias, his conductor’s baton waving builds to a frenzy of ridiculousness that has the young audience in raptures of laughter.

Kathryn and Paul O’Keeffe in ‘Wolfgang’s Magical Musical Circus’ IMAGE: Dylan Evans

When I was in infant school, every day in assembly the teachers played a record of classical music and encouraged us to imagine what story it might be telling. It’s been one of my most enduring learning experiences, and I can picture the creation of this show stemming from a similar place: ‘This track makes me imagine a comedy slow-mo fight scene’; ‘This one makes me think of a man riding a bike in his underwear while someone chases after him trying to dress him‘.  The uptight edge of classical music is rubbed away to reveal the radical creativity that allowed Mozart to make his mark on history and, for fifty minutes, lets us be part of the delightful Wolf Gang.

There’s also a great free-sheet programme with facts and fun activities in equal measure. If only I’d brought my felt-tips!


Leave a Reply