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‘Mothlight’, by Skye Gellmann
The Trapeze Artist
‘We Do Love Little Kitten’, by Collectif and then…
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The Circus Diaries
Circus Thoughts From Circus People
Book review: ‘Opulence and Ostentation: Building the Circus’, by Steve Ward
by
Katharine Kavanagh
,
21st April 2023
30th August 2023
Book review: ‘Female Aerialists in the 1920s and Early 1930s: Femininity, Celebrity and Glamour’, by Kate Holmes
by
Katharine Kavanagh
,
7th March 2023
7th March 2023
‘Contemporary Circus’, by Katie Lavers, Louis Patrick Leroux and Jon Burtt
by
Katharine Kavanagh
,
30th September 2019
30th September 2019
‘Aerialist’, by Rebecca Truman
by
Dr Tina Carter
,
11th July 2018
‘Big Top Typewriter’, by David Lewis Hammarstrom
by
Katharine Kavanagh
,
14th June 2017
‘The New American Circus’, by Ernest Albrecht
by
Katharine Kavanagh
,
29th March 2017
Show Reviews
‘A Simple Space’, by Gravity & Other Myths
by
Rebecca JS Nice
11th August 2016
Show Reviews
‘Tipping Point’, by Ockham’s Razor
by
Kirsty Bell
11th August 2016
11th August 2016
Show Reviews
‘Only Bones’, by Kallo Collective
by
Francesca Martello
11th August 2016
Show Reviews
‘Water On Mars’, by Plastic Boom
by
Rosie Kelly
11th August 2016
27th August 2016
Show Reviews
‘Tipping Point’, by Ockham’s Razor
by
Francesca Martello
11th August 2016
24th May 2017
Show Reviews
‘Opèra Pour Sèche-Cheveux’, by Blizzard Concept
by
Kim Campbell
8th August 2016
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