Skip to content
Circus Diaries

The Circus Diaries

Circus Diaries
  • Home
  • Covid-19
  • Show Reviews
  • Book Reviews
  • PhD Research
  • Audio Description
  • The Metamodern Circus
  • Links
    • British Circuses
    • European Circus Festivals
    • Links
    • DOCH Essays
      • Are You a Circus “Artist” When You Finish Circus School?
      • Cirkus Cirkör – Where Do They Sit?
      • ‘Mothlight’, by Skye Gellmann
      • The Trapeze Artist
      • ‘We Do Love Little Kitten’, by Collectif and then…
    • #CircusVoices
      • #CircusVoices Edinburgh 2016
      • #CircusVoices Edinburgh 2017
      • #CircusVoices Bristol 2017
    • Circus Research Network
  • About
  • Youtube
  • Facebook
  • Twitter
  • Instagram
  • RSS Feed
  • Mail

The Circus Diaries

Circus Thoughts From Circus People

pictoral

‘Gumball’, by Wes Peden
Show Reviews

‘Gumball’, by Wes Peden

by Rosie Kelly 18th October 201730th May 2023
‘All The Fun’, by Cie Ea Eo
Show Reviews

‘All The Fun’, by Cie Ea Eo

by Rosie Kelly 18th October 201730th May 2023
‘Water on Mars’, by Plastic Boom
Show Reviews

‘Water on Mars’, by Plastic Boom

by Rosie Kelly 23rd March 201730th May 2023
‘Elixir’, by Head First Acrobats
Show Reviews

‘Elixir’, by Head First Acrobats

by Rosie Kelly 17th August 201630th May 2023
‘Attrape-Moi’, by Flip FabriQue
Show Reviews

‘Attrape-Moi’, by Flip FabriQue

by Rosie Kelly 17th August 201630th May 2023
‘Throwback’, by Silver Lining
Show Reviews

‘Throwback’, by Silver Lining

by Rosie Kelly 17th August 201630th May 2023
  • Youtube
  • Facebook
  • Twitter
  • Instagram
  • RSS Feed
  • Mail
  • Home
  • Covid-19 Materials
  • Show Reviews
  • Book Reviews
  • Links
  • PhD Research
  • Audio Description
  • About
  • Sitemap

© 2025 The Circus Diaries